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Spectre"




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Anrecht

Spectre 2015

Dauer

134 Niederschrift

Freistellung

2015-10-26

Eigenschaft

MPG 1440p
WEBrip

Genre

Action, Adventure, Crime

Fachsprache

Français, English, Español, Italiano, Deutsch

castname

Caela
S.
Poiret, Jace C. Bedelia, Mayotte P. Khadeem









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Well, cinema’s most treasured and resilient British spy guy is back as the legendary James Bond makes his twenty-fourth outing on the big screen in the highly anticipated and slickly-made Spectre. Worldwide Agent 007 fans understandably maintain their embedded expectations and vision as to what calculating and cunning mission their suave and sophisticated gun-toting, martini-sipping espionage thrill-seeker will encounter in his latest globe-trotting episode. Whatever Bond enthusiasts have in mind for the future twenty-fifth entry of the “licensed to kill” Lothario they should simply settle for the present stimulating currents that trickle as mind-bending material in the polished and percolating Spectre.

As for the dynamic performer that have served his time with action-oriented cinematic sensibilities through three previous super-charged James Bond installments, the steely-jawed and diligent Daniel Craig is back on the saddle again for his fourth stint as the crafty 007. Naturally both ardent and casual Bond followers can rattle off the filmography of Craig’s on-screen tour of duty as the debonair and daring secret service operative and even rate the previous films as they compare and contrast each edition. Some may give special attention to Craig’s first foray into stepping inside Bond’s explosive shoes for 2006’s Casino Royale that is considered a spectacular introduction for the dramatically trained actor. In 2008’s Quantum of Solace, it was a mixed bag at best as Bond followers for the most part gave this second 007 rendition an ambivalent sign of approval (not too many were thrilled with the awkward movie title either). Thankfully, 2012’s Skyfall bounced back for Craig’s take on the roguish Bond and made for some exceptional brownie points as the cagey spy returning to creative prominence. Now 2015’s Spectre hopes to make some hearty tie-ins to Craig’s past big screen adventures as the stoic jet-setting dynamo ridding the world of masterful riff raff.

In actuality, Spectre is serviceable in that it is an elaborate and excitable reminder of the preceding Bond films where bits of nostalgic elements from yesteryear are sprinkled throughout its presentation. Sure, some wily 007 fanatics may spot a few of the tossed in nods to the aforementioned Casino Royale and Quantum of Solace in particular as the proceedings unfold. For the most part, Spectre acts as a mere bridge to the launching of the upcoming 25th Bond actioner in waiting. To be fair the other Bond films have served as a welcome mat to the next chapter of the late Ian Fleming’s engaging and charismatic man of action so why should not Spectre be any different in this regard? Still, this spy caper has its signature swagger that Bond aficionados relish with familiarity: heart-pumping action sequences, exquisite locales, desirable and devious Bond women, majestic car chases, larger-than-life villains and their loyal henchmen, imaginative gadgets and inventive technology and yes…the indomitable James Bond at your service. Nevertheless. the minor knock on Spectre is that it could have risen to the occasion more than it did as it occasionally feels as if it is going through the mischievous motions. It never resorts to the levels of Bond-ish drudgery in Quantum of Solace so that certainly is a relief in that aspect.

Spectre does incorporate its share of opulence, mystery, suspense, shadowy tension and perilous plight. However, where the standard Bond film-making characteristics are somewhat consistent and captivating (i.e. the breathtaking opening sequence of the Day of the Dead celebration in Mexico City) there is also a questionable consideration for the weak-kneed Bond theme song in Sam Smith’s “Writing’s on the Wall” which seems so inadequately suited for a James Bond signature tune. Even the indifferent observers of the James Bond film franchise for the last five decades can attest to the two most important stamps of a Bond film–its opening scene and surging theme song. Thankfully, Spectre’s grand opening sequence obeys traditional Bond practices but Smith’s doggedly tired-sounding “Writing’s on the Wall” feels as it belongs attached to an old televised After School special from the mid-70s. Wouldn’t you give your kingdom for Paul McCartney and Wings’ “Live and Let Die” or Carly Simon’s “Nobody Does It Better” or perhaps even Sheena Easton’s “For Your Eyes Only”?

One thing that can be said about Craig’s Bond in Spectre and that is his image transformation has been elevated to that of a fashion plate whose GQ stylized look has taken quite a step up. Not since Roger Moore’s Bond has there been a clear case of dazzling attire on display for Agent 007 to strut his stuff in spiffy clothing accessories throughout his ventured travels. Craig, billed as a “blue-collar” Bond whose demeanor is more blunt and workman-like, takes comfort in basking in the finesse shadows of a classic Agent 007 almost foreign to his distinctive spin on the iconic spy. In fact, the overall vibe for Spectre seems to lie in the middle of old school and new school James Bond mythology where the shading suits both camps of the ever-lasting film franchise.

Director Sam Mendes, who handled the direction for the previous Skyfall, finds the right tone and temple for Spectre that certainly shows off its lavish and ambitious production values as the set designs, scenic locations, fabulous pre-credits action sequence are all indescribable in majestic scope. No one can accuse Spectre as to not holding its own in visual functionality. Wisely, Mendes does not forget his Skyfall background players as they reunite with Craig’s Bond and partake in the sensationalized cat-and-mouse caper. It is refreshing to see Ralph Fiennes back as “M” not to mention Ben Wishaw’s “Q” front and center. And a Craig-fronted Bond film would not be the same without Naomie Harris as Miss Moneypenny.

Agent 007 fans will find a common "Bond" with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinettic SPECTRE
Agent 007 fans will find a common “Bond” with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinetic SPECTRE
It is a given that the diabolical criminal network known as SPECTRE has always had its affiliation with the Bond universe especially in the classic Sean Connery Bond-age years. Instinctively, SPECTRE’s evil heart and soul was pumped continuously by that organization’s dastardly mastermind Ernst Stavro Blofeld. Oscar winner Christoph Waltz does the sordid honors of taking the reins as Bond’s nemesis Franz Oberhauser in Spectre with devilish delight and is more colorfully corrupt thanks to his handy go-to muscular minion Mr. Hinx (ex-professional WWE wrestler and “Guardians of the Galaxy” star Dave Bautista) echoing the memories of beloved brute Jaws (played by the late Richard Kiel) from The Spy Who Loved Me and Moonraker).

We can never forget that along with Agent 007 folklore comes the responsibility of being labeled a treasured Bond babe. And although the latest sultry women represented in Spectre will never make us forget the iconic likes of Dr. No’s Ursula Andress (Honey Ryder) or Casino Royale’s Eva Green (Vesper Lynd) for that matter they still hold their own and give a measure of titillation to both Bond and the vast amount of male admirers wishing they carried a gun and wore expensive tuxedos while being at the receiving end of a provocative smooch by these vibrant vixens. Lea Seydoux’s Madelene Swann and Italian siren Monica Bellucci’s Lucia are on board as the Bond bombshells for hire.

As a whole, Spectre has its up and down moments and never is quite sure about standing alone as an independent Bond story or being dismissed as a pit stop for 007-related flashbacks and reference bits ode to yesteryear’s glory of the super spy’s engaging and raging exploits. The verdict is that Spectre ultimately satisfies one’s craving for the invincible James Bond whether you can to relive his vintage reputation or look forward to a millennium-enhanced production that will grow with the ageless wonderment pertaining to Fleming’s literary ladies man-turned movie-making mainstay of action-packed cinema for half a century. As one-time Bond songbird Carly Simon would attest in her soothing lyrics, “nobody does it better…” Yet in the dimensional escapist world of James Bond this particular go-around could have been a tad bit better.

Spectre (2015)

Sony Pictures

2 hrs 28 mins.

Starring: Daniel Craig, Christoph Waltz, Lea Seydoux, Naomie Harris, Ben Whishaw, Dave Bautista, Monica Bellucci, Andrew Scott

Directed by: Sam Mendes

MPAA Rating: PG-13

Genre: Spy-Espionage Caper/Action & Adventure/Suspense Thriller

Critic’s rating: ** 1/2 stars (out of 4 stars)

(c) Frank Ochieng (2015)
A "correct" Bond movie. All the expected stereotypes are included, Waltz is an OK bad guy and the intro scene is something really impressive.

Nothing else really new ...
> Not your usual Bond movie, but still a good entertainer.

What I liked from a couple of last Bond movies was they were off the regular 007 style, like not overly rely on spy's special gadgets. This change has been since the day one of Daniel Craig as a famous British spy, James Bond. Anyway, he's the most fittest (muscular) Bond I've ever seen and he's celebrating 10 year anniversary with this film release. But the question is whether he to do another film or done with the franchise. The doubt after the confusing end of this film.

The end was quite clear on the story perspective, so I kind of felt it was a farewell for Craig. But, later I came to know that the official source says Bond25 will be his fifth and so on till he opts out himself. 'Spectre' was a very simple Bond movie I have ever seen, but I can say the production quality was so good that you can't resist the enjoyment. The actors, they were also good, but not as I anticipated. Maybe many scenes were very ordinary for a Bond movie, that's comparable with the nowadays action movies, otherwise it was not as bad as critics expressing their disappointment.

You can't believe what I was disappointed, you know when they say what the C stands for - is that the best word they come up with against the M for Moron? Anyway, James Bond movies have always had ups and downs, the last film 'Skyfall' was a mega hit and now this has not stood up to that standard. But very entertaining with all the actions and unexpected turns in the narration. As a spy movie, it was okay, but as a Bond movie is what might upset you, so its upto you how you look at it. But to be honest, I enjoyed it.

7/10

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Myokardszintigrafie – Wikipedia ~ In Cardiolite ® enthält der Komplex sechs Moleküle 2Methoxyisobutylisonitril MIBI als Liganden um das TcZentralatom Der Komplex ist stark lipophil und wird passiv durch Diffusion in die Herzmuskelzelle aufgenommen Die Injektion von 250 bis 500 MBq 99m TechnetiumMIBI Cardiolite ® erfolgt wie bei der Untersuchung mit Thallium unter Gegensatz zur Untersuchung mit

Zerebrovaskuläre Insuffizienz – Wikipedia ~ Die zerebrovaskuläre Insuffizienz andere Schreibweise cerebrovasculäre Insuffizienz CVI ist ein zusammenfassender Begriff für Störungen der Blutversorgung des Gehirns durch Gefäßläsionen Stenosen Obliterationen Gefäßschlängelungen im Bereich der hirnzuführenden oder der zerebralen Gefäße insbesondere bei der subkortikalen arteriosklerotischen Enzephalopathie des älteren

TMA – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

Skelettszintigrafie – Wikipedia ~ Die Skelettszintigrafie auch Knochenszintigrafie engl bone scan genannt ist ein nuklearmedizinisches bildgebendes Verfahren Szintigrafie das zum Nachweis von KnochenAnteilen mit einem erhöhten Knochenstoffwechsel dient Bereiche mit einem erhöhten Knochenstoffwechsel „Herde“ finden sich beispielsweise bei Knochenmetastasen im Rahmen von Krebserkrankungen z B

LewyKörperDemenz – Wikipedia ~ Geschichte Benannt ist die Erkrankung nach Friedrich H Lewy 1885–1950 einem deutschen Neurologen In seinem Buchkapitel über die „Paralysis agitans“ heute Morbus Parkinson beschrieb er erstmals die später nach ihm benannten LewyKörperchenWährend seiner Tätigkeit an der Berliner Charité fand er diese Veränderungen im Nucleus basalis Meynert und Nucleus dorsalis nervi vagi

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Craniale Computertomographie – Wikipedia ~ Als craniale Computertomographie CCT bezeichnet man eine radiologische Untersuchungsmethode mit der mittels scheibenartiger Schnittbilder vor allem das Gehirn aber auch knöcherne Anteile Gefäße Gehirnkammern mit Hirnflüssigkeit sowie die übrigen Weichteile im Inneren des Schädels und jeweils viele pathologische Veränderungen dieser Strukturen visualisiert werden können

Scanner – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

Striatofrontale Dysfunktion – Wikipedia ~ Striatofrontale bzw frontostriatale Regelkreise Schleifen „loops“ gehen von der Großhirnrinde Cortex aus und verlaufen über die Basalganglien und den Thalamus zurück zum Großhirn und zwar im Wesentlichen zum von der gesamten Großhirnrinde gelangen Informationen zum Striatum als Eingangsstation der Basalganglien kortikostriatale Verbindungen mit


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Titel

Inglourious Basterds 2009

Dauer

156 peinlich genau

Erlösung

2009-08-18

Eigenschaft

MPG 720p
HDTV

Gattung

Drama, Action, Thriller, War

Programmiersprache

Deutsch, English, Français, Italiano

castname

Lizeth
G.
Faustin, Kaylen T. Samatha, Agathe N. Shanaya









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Hidden Figures"




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Rechtsanspruch

Hidden Figures 2016

Zeitdauer

179 sehr klein

Entlassung

2016-12-10

Beschaffenheit

FLV 720p
Blu-ray

Buchgattung

Drama, History

Ausdrucksweise

English

castname

Nelya
Z.
Lavocat, Yahir Y. Fausta, Yashna A. Ariella









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How to Train Your Dragon"




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Buchtitel

How to Train Your Dragon 2010

Dauer

189 minuziös

Entlassung

2010-03-10

Eigenschaft

AVCHD 720p
HDTV

Gattung

Fantasy, Adventure, Animation, Family

Programmiersprache

English

castname

Grivois
N.
Emylia, Allyson H. Gideon, Tomoka B. Frances









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So the movie was great. I wasn't expecting it to be that good actually. I thought it will be one of those movies wherein it turns out just okay because it's not a Disney/Pixar movie. I mean....if it's not a Disney/Pixar movie, don't expect anything. Which was good I think because not expecting turned out great for me.


It was very entertaining (aside from the noisy children and a very noisy and loud mom behind us). I know Toby will like this movie (he actually was able to watch it from beginning to end...for the first time). There's just so much to see. And the ending. Such a tragic ending but it's still a happy ending don't worry.


My rate for this movie is A. Good for kids. Good for adults.
First of all, the animation in this is spectacular. All the scenery in the film looks like something you could find in real life. The action, mainly the climax, and flying shots in this film also show how great the animation is. The main thing about the animation that is amazing is how the dragons look. They all look like real, kinda cartoonish, dragons that come across as vicious but also cute. The cinematography in this film is stunning. The lighting in each and every scene was chosen correctly for it. I really like the score in this film that was done by John Powell. The music in the film just helped bring you into this fantasy world of Vikings and dragons. Now my main problem is mainly the casting of the voice actors. They all did great jobs as their roles but I think some of them would have been better casted if their character was older and not a teenager. That can mainly be seen with Hiccup who is supposed to be a teenager but sounds like an adult who already went through puberty. I also had a few issues with the pacing in this film. Some scenes were way too short and I would have liked to have seen them a tiny bit longer. Now I do get that it’s a film made for children but as long as there’s moving objects on screen kids won’t care what’s happening in the movie. In the end How to Train Your Dragon is an excellent film for everybody no matter how old you are. I give How to Train Your Dragon a 9/10.
Who wouldn't want Toothless as a pet?

Honestly I can see my future kids and their future kids loving this movie as much as I do. How To Train Your Dragon is just that great of a movie. It's gorgeous, funny, heartfelt, and it's got something to say. I can't praise this wonderful film enough.

Liste der IATACodesD – Wikipedia ~ Diese Teilliste führt alle IATAFlughafenCodes auf die mit „D“ beginnen und enthält Informationen zu den bezeichneten Verkehrsknotenpunkten


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Adelstitel

The Place Beyond the Pines 2013

Dauer

136 sehr klein

Freigabe

2013-03-20

Qualität

FLA 720p
DVDrip

Buchgattung

Drama, Crime

Sprachfähigkeit

English, Español

castname

Kushal
A.
Taqwa, Buddug D. Margery, Montand T. Nirali









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Ex Machina"




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Rechtsanspruch

Ex Machina 2015

Dauer

151 Notiz

Kinostart

2015-01-21

Eigenschaft

SDDS 720p
WEB-DL

Genre

Drama, Science Fiction

Sprache

English

castname

Josepha
M.
Chance, Rushane L. Onfray, Amen Y. Serhan









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When you think you have seen everything about AI movies, Ex Machina arrives and gives a very nice perspective on the matter.

The movie goes quick, not many things happen but they are clever, very well thought. The story is more focused in the moral problems of the human main character rather than in the awe of the creation nor the existencial problem of the AI.

The cast is all great, from Vikander to Mizuno, Glee and great Oscar Isaac.

A real must to watch if you are into the topic.
**Enjoyable, satisfying sci-fi**

Kinda smutty, kinda creepy, kinda evil, thoroughly enjoying.

OK, there's nothing mind shattering but still good fun and a nice pay off imho.

For those complaining it was predictable - if you want something you CANNOT ever predict go watch Predestination https://www.themoviedb.org/movie/206487-predestination

Something about it hit the right chords for me, modern, start up, big loud talker, sad lonely guy.... I've seen lots of those geeks turned CEO's and they don't know what they've become.

Actually more to be said about the Nathan character than the rest.

Definitely worth a watch if you like dark humour and sci-fi.

Irrigator – Wikipedia ~ Anwendung für die Vagina Die Spülung der Vagina nach dem Geschlechtsverkehr ist keine wirksame Form der Empfängnisverhütung Darüber hinaus ist die Spülung mit einer Reihe von Gesundheitsproblemen verbunden Gebärmutterhalskrebs Adnexitis Endometritis und erhöhtes Risiko sexuell übertragbarer Infektionen und wird daher nicht die Vaginalduschen verwenden haben

Norisring – Wikipedia ~ Geschichte Am 18 Mai 1947 fand erstmals ein Motorradrennen auf einer Strecke rund um die Zeppelinhaupttribüne statt Die Steintribüne ist Teil des aus der Zeppelinwiese entstandenen Zeppelinfeldes welches zum Reichsparteitagsgelände gehört Bis 1957 standen Motorradrennen im Mittelpunkt der Veranstaltungen was wahrscheinlich auch daran lag dass Nürnberg damals Sitz zahlreicher

Joey Dunlop – Wikipedia ~ Persönlichkeit Weniger bekannt waren Dunlops karitative Tätigkeiten für s sammelte er in seiner Gegend alte Kleider lud damit seinen Renntransporter und fuhr nach Rumänien Bosnien oder AlbanienFür seine gemeinnützigen Tätigkeiten wurde er 1996 mit dem OBE ausgezeichnet Joey Dunlop war ein aktives Mitglied im Bund der Freimaurer

YouTube – Wikipedia ~ Wie auch beim vergleichbaren Portal Google Video wurde in der Anfangszeit die meist geringe Qualität der Filme bemängelt Mittlerweile ist es jedoch möglich auf eine höhere Audio und Bildqualität HQ umzuschalten Videos stehen unter anderem in den Auflösungen 720p und 1080p und seit Juli 2010 auch 4096 × 2304 Pixel zur Verfügung sofern sie in entsprechender Auflösung hochgeladen

Triceratops – Wikipedia ~ Merkmale Triceratops erreichte eine Länge von bis zu 9 Metern sein Gewicht wird auf 6 bis 12 Tonnen geschätzt Damit ist er neben dem 2007 beschriebenen aber nur wenig bekannten Eotriceratops der größte Vertreter der Ceratopsidae Ein vollständiges Skelett wurde bis jetzt nicht gefunden es sind aber über 50 zumindest teilweise erhaltene Schädel und Teile des übrigen Skeletts bekannt

BMW HP2 Enduro – Wikipedia ~ Die HP2 wird von einem luft und ölgekühlten Boxermotor angetrieben Der Viertaktmotor hat zwei Zylinder und je zwei Nockenwellen und vier Ventile pro Zylinder BMW entfernte die zentrale Ausgleichswelle der GS wodurch der Motor um 15 kg leichter wird und schneller hochdreht Die zwei Zylinder haben eine Bohrung von Ø 101 mm Durchmesser die Kolben einen Hub von 73 mm bei einem

Thiamin – Wikipedia ~ Thiamin Vitamin B 1 oder Aneurin ist ein wasserlösliches Vitamin aus dem BKomplex von schwachem aber charakteristischem Geruch und ist insbesondere für die Funktion des Nervensystems unentbehrlich Wird das Vitamin B 1 für ca 14 Tage dem Körper nicht mehr zugeführt sind die Reserven zu 50 aufgebraucht Es wird im Volksmund auch Stimmungsvitamin genannt

Moritz Sachsen – Wikipedia ~ Moritz von Sachsen 21März 1521 in Freiberg † 11 Juli 1553 bei Sievershausen war ein aus dem Hause der albertinischen Wettiner stammender Fürst Er war ab 1541 Herzog des albertinischen Sachsens sowie von 1541 bis 1549 Herzog von Sagan und ab 1547 auch Kurfürst des Heiligen Römischen war einer der wichtigsten Gegenspieler Kaiser Karls V bei der Reformierung des Reiches

ProAna – Wikipedia ~ ProAna von pro für und Anorexia nervosa Magersucht und ProMia Bulimia nervosa EssBrechsucht sind Bewegungen von Mager beziehungsweise EssBrechsüchtigen im Internet Sie entstanden Anfang des 21 Jahrhunderts in den Vereinigten Staaten und breiteten sich von dort auch nach Europa aus Die Anhänger von ProAna fast ausschließlich junge Frauen idealisieren die Magersucht und

Speikobra – Wikipedia ~ Video einer Speikobra Video Spuckverhalten von Speikobras Institut für den Wissenschaftlichen Film IWF 2005 zur Verfügung gestellt von der Technischen Informationsbibliothek TIB doi 103203IWFC12830 Quellen Literatur R McN Alexander 1963 The Evolution of the Rome Second Series 102 S 170–181


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The Grand Budapest Hotel 2014 kostenlos filme anschauen -1440p-MPG

The Grand Budapest Hotel 2014 Ganzer Film Deutsch



The Grand Budapest Hotel"




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Adelstitel

The Grand Budapest Hotel 2014

Dauer

113 Konzept

Kinostart

2014-02-26

Güte

SDDS 1080p
DVDrip

Genre

Comedy, Drama

Programmiersprache

English, Français

castname

Sweeney
W.
Cynthia, Horton M. Naomie, Fatema W. Wania









The Grand Budapest Hotel 2014 The Grand Budapest Hotel ganzer film deutsch, The Grand Budapest Hotel online stream - Ganzer film, The Grand Budapest Hotel ganzer film online stream - Deutsch



Yet another well crafter Wes Anderson's movie. Fiennes and Revolori perform well and the amount of well known actors and actresses is incredible but we have seen similar ways and scripts in his previous movies.

It's entertaining, though.
Wes Anderson's THE GRAND BUDAPEST HOTEL is the director's celebration of Central Europe culture and fashion in the years between the World Wars, and an elegy for what was lost with the rise of fascism and communism. Set in 1932 in a fictional country called Zubrowka, the streets, military regalia and (ersatz) German names we are shown could have come from anywhere between Germany and Estonia. Its protagonist Gustave H. (Ralph Fiennes) is a concierge at the eponymous luxury hotel, the splendour of which disappeared, we are told, with World War II. Gustave H. is known publicly as one of the best concierges in the business, able to dash around the hotel at lightning speed to satisfy the most varied guests of the elite clientele. Privately, he's a rake with a rather foul mouth, and fond of bedding the rich old women who patronize the establishment. When one of those old ladies, Madame Céline Villeneuve Desgoffe und Taxis (Tilda Swinton) dies and Gustave is framed for her murder, he must evade the law and unmask the true culprit, with the help of newly hired lobby boy Zero Mustafa (Tony Revolori).

The films of Wes Anderson are known for their immense visual detail, and THE GRAND BUDAPEST HOTEL is no exception. The elaborate framing of shots, the myriad cute items to look at on every set, and the architectural detail are like a diorama blown up to the big screen. Curiously, that visual detail is matched to a real slackness in the human characterization. Anderson has brought in a large number of actors he had worked with before, including Adrien Brody, Jeff Goldblum, Ed Norton, and Bill Murray, for roles that range from the main villain to little more than cameos. These characters are never fleshed out like Gustave H. or Zero Mustafa, and the actors don't even try to pass themselves off as Central Europeans from the entre deux guerres. Instead Adrien Brody plays Adrien Brody, etc.

There are two supporting roles that I felt were stronger. William Defoe plays a nearly mute henchman whose look is a nod to early vampire films (Transylvania was Central Europe, too). More remarkable is Harvey Keitel's turn as an old prisoner: when so many handsome leading men try to hide the effects of time after they enter their sunset years, 75-year-old Keitel was not afraid to show the ravages of old age here.

Unfortunately, I found the 21st-century Americans strutting about (and a few speaking in rough New York accents) in a historical drama to be jarring. I was also disappointed by the resort to Hollywood tropes here, when Anderson's earlier films managed to be very quirky and sui generis. For example, did we really need not just one scene where a character is hanging off a cliff's edge as the villain stands over him, but two? And the amount of plot details that are introduced but never really explained makes one feel that the work was subject to some heavy cuts to please a studio.

Still, if you liked Wes Anderson's earlier films, you'll find much to enjoy in his dollhouse approach, and it is amazing how every one of his films has a completely new and fresh visual theming even if his quasi-autistic obsession with prettiness never changes. Another thing I liked about the film is its "story within a story within a story". The entire plot of Gustave H. is, we are shown, taken from a fictionalized treatment by a writer who met a middle-aged Mustafa (F. Murray Abraham) in the 1960s. Befitting this novelistic layer -- and the work of Stefan Zweig that Anderson credits for inspiration -- this framing story is written in stilted, unrealistic dialogue like an old-time novel. And the aspect ratio changes for each layer of the film, a little treat for cinema anoraks.

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Fantastic Beasts and Where to Find Them 2016 kostenlos filme anschauen -1080p-MPEG-1

Fantastic Beasts and Where to Find Them 2016 Ganzer Film



Fantastic Beasts and Where to Find Them"




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Sachtitel

Fantastic Beasts and Where to Find Them 2016

Zeitdauer

195 minutiös

Auslöse-

2016-11-16

Beschaffenheit

SDDS 1080p
VHSRip

Buchgattung

Adventure, Family, Fantasy

Jargon

English

castname

Morgan
D.
Kahina, Ezana L. Phalle, Bouglé F. Marmion









Fantastic Beasts and Where to Find Them 2016 Fantastic Beasts and Where to Find Them ganzer film deutsch, Fantastic Beasts and Where to Find Them online stream - Ganzer film, Fantastic Beasts and Where to Find Them ganzer film online stream - Deutsch



Struggles desperately to be three movies at once: One about Pokemon, one about proto-Voldemort and one (uncharacteristically dark story) about child abuse. But none of these three movies are bad movies so _Fantastic Beasts_ gets a pass from me.

I was particularly fond of the degree to which it tied into the Harry Potter world at large. There were moments were I went “Oh Harry’s used that same spell before!” or characters that fitted naturally into the narrative being mentioned, as opposed to getting all _Agents of SHIELD_ season 1 on us, and awkwardly name-dropping something from the other films every 5 minutes, just in case we forgot, which was what I was afraid it might do.

End result, _Fantastic Beasts_ is a flawed film that I was still very happy to have watched, and exceeded my expectations.

_Final rating:★★★ - I personally recommend you give it a go._
I must say I was expecting to like it, and I really liked it despite the few generic moments throughout the film.

Can watch again/10.
Personally I found this movie to be 2+ hours of excellent entertainment. This is one of these movies where I simply cannot understand how people can give one and two star ratings stating that it is garbage etc. I do not get what these people expected? Maybe they just have to complain? The original Harry Potter books are very much books for children or young adults and so is this movie. It is a highly entertaining story in a magical universe with some adventure, some suspense and a lot of humor.

The magic and the magical animals are quite cool. The pocket universe (or whatever they are called in the Harry Potter world) is simply gorgeous and cool. The story is not really much to write home about but it does not have to be. This is a magical movie where the magical atmosphere is what makes the movie. It is a good enough story involving a bit of suspense, action, friendship, bad guys, quite some humor and, of course, a lot of magic. More importantly perhaps, the story is not overly stupid nor does is try to peddle crappy SJW nonsense messages about gender or diversity nor climate. This movie delivers where it counts as far as I am concerned. It is entertaining, plain and simple.

If I should endeavor try to find something to complain about it would probably be that the lead character was fairly bland. He did not really have much charisma. That and the fact that I never really understood which, despicable (presumably) acts the main opponent, Grindelwald, had actually committed before the events of the movie.

On the whole I enjoyed the movie a lot and although it is perhaps not the absolutely best movie I have ever seen but it still deserves a top rating.
**Well, everything's in the title itself, you watch it only to confirm.**

I don't want to be so negative like the film critics, but this is a big disappointment for me watching being a film fanatic. I don't think anyone who loved 'Harry Potter' film series would thumb this new beginning. This is not like 'The Lord of the Rings' and 'The Hobbit' from the same universe, but different trilogies. I was excited for something like that, as a concept wise, for the fresh tale from from the fresh characters in the same universe. I don't know about the book version, but the film did not click for me.

It had a bunch of nice characters, and to set in the Harry Potter universe, really it should have been a masterpiece. The major drawback was the story. There's nothing to appreciate the screenplay. It's about some creatures from the magical world got out in the human world, just like 'Jumanji'. So our hero struggles to recapture them. Meanwhile, some others too involved in and the reason will be revealed in the final stage.

Nice casting and great visuals. I won't point out its director's fault, because he has done his duty very well. He's also will be the man behind the rest of the sequels. I think it deserved the Oscars for the costume design. Not a bad film, particularly for the kids. Comparing it with the Harry Potter franchise makes it a worst film, but independently it is an okay film. So the initiation was average, but I'm still expecting the follow ups to be much better.

_5/10_

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The Hobbit: An Unexpected Journey 2012 kostenlos filme anschauen -1440p-M1V

The Hobbit: An Unexpected Journey 2012 Mit Untertitel Stream



The Hobbit: An Unexpected Journey"




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Rechtsanspruch

The Hobbit: An Unexpected Journey 2012

Geltungsdauer

197 Memorandum

Befreiung,Entbindung

2012-11-26

Qualität

Dolby Digital 1440p
DVD

Gattung

Adventure, Fantasy, Action

Sprachfähigkeit

English

castname

Slimane
T.
Rinna, Fayth N. Paniz, Bouyain T. Sagal









The Hobbit: An Unexpected Journey 2012 The Hobbit: An Unexpected Journey ganzer film deutsch, The Hobbit: An Unexpected Journey online stream - Ganzer film, The Hobbit: An Unexpected Journey ganzer film online stream - Deutsch



Peter Jackson creates the same world that he already shown us in the LOTR, but that's not the only thing he repeats.

He also repeats ripping Tolkiens book into a sucession of endless races and actions scenes with orcs falling everywhere and several "inventions" that mess the beautiful story created by the English author.

He also repeats those several minutes of platform game inside caves that we saw in Moria and in his version of King Kong.

If you loved the previous movies from Jackson, you will love this too.

If you are looking for some quality, you will only finding in the re-creation of the Middle Earth and the peformances of Ian McKellen, Martin Freeman and Cate Blanchett.
An other great master peace has been added the the Lord of The Rings collection. This movie was an excellent example of how great actors, an amazing story and a beautiful world can be produced in such an excellent way. Peter Jackson has out done his self by creating this great film. There are differences from the book but I can't complain about any of them, yes I love the original story but this one is still one of the best. All in all a amazing movie.
Over a decade after a little-known director from New Zealand managed to con New Line Cinema into giving him $300 million to make a trilogy based on JRR Tolkien's seminal fantasy (and long considered unfilmable) work The Lord of the Rings, the cinematic landscape for fantasy has changed drastically. Much like Tolkien's tome, the Lord of the Rings films came to utterly define high fantasy in film, with even competing fantasy adaptations like The Chronicles of Narnia and Alice in Wonderland cribbing from Peter Jackon's critically-acclaimed, audience-adored multipart epic. Now Jackson has returned to the land that made him famous for a go-round with Tolkien's earlier work, The Hobbit.

Tolkien's The Hobbit is far more modest in scope than its enormous sequel, and geared for a younger audience. It introduced the world to Bilbo Baggins, a typically quiet hobbit who is coaxed into adventure by the grey wizard Gandalf, enlisted to aid thirteen dwarves in reclaiming their long-lost homeland.

Jackson had the unenviable task of following up on his blockbuster Academy Award-winning masterpiece, and initially passed off the directing responsibilities to fantasy master Guillermo del Toro. Difficulties securing the film rights led to delay after delay, and del Toro finally departed, leaving the original creative team the ability to step back into place and create a follow-up/lead-in with the same creative staff in front of and behind the camera. Jackson returned as director, co-writing with Fran Walsh and Phillipa Boyens (though del Toro retains a screenwriting credit), Andrew Lesnie as cinematographer, and Howard Shore as composer, along with all of the other stalwarts of the original trilogy.

The lone exception to that is the recasting of Martin Freeman as the titular hobbit, taking over for the aging Ian Holm. Holm appears in the film's framing sequence (a scene that takes place immediately prior to the beginning of The Fellowship of the Ring), along with that trilogy's star, Elijah Wood. But this time out, it's Freeman's show, and he's as charming, witty, and engaging as you could imagine. He also makes a perfect Young Ian Holm. The casting is truly inspired. Sir Ian McKellen returns as Gandalf (here playing his more impish grey incarnation, rather than the frankly humorless white version) and the heralded thespian manages to imbue his character with both immense power and gravitas, while still throwing in little flourishes that sell Gandalf as an imperfect man, rather than just an all-knowing power. Rounding out the third of this film's main characters, and an addition to this world, is Richard Armitage as Thorin Oakenshield, the leader of the motley crew of dwarves. Armitage likewise manages to imbue Thorin with both rage and honor, and is easily believable as someone who could lead these dwarves into life-threatening battle. The other twelve dwarves are something of a blur, but a few of them manage to make an impression, even with limited screen time. I imagine the two future installments of the series will afford them each the chance to shine.

Which brings up the most contentious point of this whole Hobbit affair: the fact that it's a three-part epic. The Hobbit, as written, is a comparatively slim tome of around 300 pages (compare that to The Lord of the Rings' combined 1,600). This installment alone is ten minutes shy of a whopping three hours. And as anyone who's seen The Return of the King can attest, Jackson can get rather indulgent at times (the end[s] of that film). Initially the film was going to be split in twain, then later divvied up into three parts. Tolkien, ever the completist, wrote volumes of backstories for this world, and Jackson decided to pull from them to bulk out these films.

I've seen a lot of hay being made about the film being bloated and, yes, indulgent. I'm an editor at heart, and am generally hyper-sensitive about cutting down to the bone. But the strangest thing happened on the way to the Lonely Mountain: I found myself simply rolling along with the shaggy-dog pace of the film. It's astonishing in hindsight. The film virtually redefines "taking the scenic route," but the crazy thing is I didn't mind it in the least. I believe it's because of the lowered stakes of The Hobbit. Every single frame of The Lord of the Rings was suffused with overbearing doom; that trilogy's "save the world" plot became as heavy a burden to bear as the ring hung around Frodo's neck. But The Hobbit is lighter, freer, funnier, and doesn't have the weight of the world on its shoulders. It's rather the difference between having an appointment you need to get to in heavy traffic and taking a weekend to just drive around, stopping when and where you like. This pace will likely have a dire impact on the film's rewatchability, but sitting in the theater for a midnight showing? Magic.

The structure of the film itself seems to have ADD. Its innumerable diversions began to remind me of a live-action Family Guy episode, with character or event mentions that suddenly cause the film to cut away to a dramatization of said. But again, and I can't stress enough how unexpected this was for me, I didn't mind in the least (with one exception: it appears to be an inviolable rule that any scene in Rivendell will stop a film dead in its tracks).

The craft of the film manages to best that of its predecessor trilogy: Howard Shore turns in one of his most stirring scores, the production design and art direction are again immersive and beautiful, and Andrew Lesnie continues his unique style of cinematography combining gorgeous shots (wonderful) with frequently blowing out highlights (distracting and ugly).

One complaint I do have is Jackon's newfound over-reliance on CGI. Azog the Defiler (a chief antagonist of the film) and the Goblin King (a bit of a lark) are the sorts of character that would have (and should have) been practical effects in the original trilogy. Here they're fully CGI, and their menace is undermined by it. Gollum returns for his most famous scene, and looks wonderful; Andy Serkis' performance and the CGI truly sell this pitiful creature. CGI can be pitiful but not threatening, it appears.

I don't know what the other two installments of The Hobbit have in store. What I do know is that this return to Middle-earth is off to a great start, and if this is any indication of things to come, I'll most assuredly enjoy the ride.

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Scott Pilgrim vs. the World 2010 kostenlos filme anschauen -1080p-Sonics-DDP

Scott Pilgrim vs. the World 2010 Mit Untertitel Stream



Scott Pilgrim vs. the World"




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Bezeichnung

Scott Pilgrim vs. the World 2010

Dauer

121 Memorandum

Kinostart

2010-07-27

Beschaffenheit

AVI 1080p
DVDrip

Buchgattung

Action, Comedy, Romance

Sprachfähigkeit

English

castname

Alyssia
K.
Moulay, Jassim X. Aloys, Sachith D. Adorée









Scott Pilgrim vs. the World 2010 Scott Pilgrim vs. the World ganzer film deutsch, Scott Pilgrim vs. the World online stream - Ganzer film, Scott Pilgrim vs. the World ganzer film online stream - Deutsch





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The Huntsman: Winter's War"




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Titel

The Huntsman: Winter's War 2016

Geltungsdauer

149 kurzer Entwurf

Freisetzung

2016-04-06

Güte

DAT 1080p
VHSRip

Buchgattung

Action, Adventure, Drama

Sprachfähigkeit

English

castname

Avenall
H.
Genesis, Neela H. Leisha, Alexy M. Hiba









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**The Huntsman and his romance caught between the two evil sisters.**

This is a sequel as well as a prequel to the 2012 film 'Snow White and Huntsman'. It opened with the earlier story where and how the Huntsman grew up, especially the journey of his innocent childhood to a great fighter that covers in the first half an hour. And then it skips for about 7 years where the original film takes place, but immediately begins where it had ended in the first half, as well as the first film. Actually, not a bad film as I have heard of it, but same as the previous film that stands just above the average and slightly loses some decibel rating.

The actors were good though. Emily Blunt, Jessica Chastain and Charlize Theron, wow, super hot women, but sadly they are in fairytale costume. Their performances were great, but the characters, particularly the two sisters resemble the 'Frozen's Anna and Elsa. You can feel how desperate was the filmmakers to avoid such comparisons by viewers, so they developed the story very far from any string attached to that famous animation. In the end these things are unavoidable, since the story is not fresh enough to claim its independent status.

Chris Hemsworth was okay, I hope he won't return for the third film. It is a decent watch, and I think it will remain as an duology, for right now it seems a good idea. The problem is it was being made a dark-fantasy to appeal the grown ups, particularly men. But it should have been a children's film where adults too can enjoy like the Disney's 'Maleficent'. Except the opening the rest of the story seemed very ordinary. Though the action sequences were enjoyable and so the film with a low expectation, or the purpose of the watch is the timepass.

_6/10_
This is kind of a prequel and a sequel to Snow White and The Huntsman. It is not as impressive as the first movie but quite good anyway. I would call it a nice family movie although probably not for the youngest members of the family.

The story is partly before and partly after the events in Snow White and The Huntsman. It is a good adventure with plenty of magic and special effects and a fair bit of action. It is a fairly straightforward story without much in terms of surprises.

There is a bit of comical relief in particular by the dwarfs, especially when the two dwarfs following the huntsman encounters the grumpy female one and her friend.

Apart from the classical Snow White setting, quite good special effects and quite decent action this is a fairly normal fantasy adventure movie. It is about two hours of good fun but does not really reach wow-status.

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The Martian 2015 kostenlos filme anschauen -1080p-DTS

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The Martian"




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Ehrentitel

The Martian 2015

Zeitdauer

115 sehr klein

Erlösung

2015-09-30

Güte

FLA 1440p
HDTS

Buchgattung

Drama, Adventure, Science Fiction

Ausdrucksweise

English, 普通话

castname

Arnaude
P.
Gamache, Nadeem O. Gorz, Davies G. Illona









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'The Martian’ is definitely in the creative wheelhouse of filmmaker Ridley Scott whose Science Fiction sensibilities are grounded in colorful futuristic fantasies that tiptoe in grand whimsy. The veteran auteur responsible for such pop cultural high-minded spectacles in ‘Alien’, ‘Blade Runner’ and even the mixed bag reception of ‘Prometheus’ certainly brings a sophisticated and thought-provoking vibe to the probing aura of ‘The Martian’. As with other Scott-helmed productions, ‘The Martian’ settles nicely in its majestic scope that taps into visual wonderment, humanistic curiosities, technical impishness and the surreal spryness of the SF experience.

The exploratory nature of ‘The Martian’ is its own noteworthy mission. Scott arms his frothy planetary odyssey with a sense of thematic inquisitiveness and intelligence while meshing human consciousness and scientific forethought. Clearly, ‘The Martian’ is astutely meditative and one can thankfully block in their memory banks some of Scott’s mediocre misses (anyone care to recall the monumental mishaps in the form of the flimsy ‘The Counselor’ or the unintentional laughfest that was ‘Exodus: Gods And Kings’?). Rightfully so, ‘The Martian’ shares its crafty crater of similarities with other space-place spectacles that resonated with the imagination and innovation such as the Academy Award-winning ‘Gravity’ and the under-rated ‘Interstellar’.

Quite frankly, ‘The Martian’ is elegantly arresting in its sheer skin for both the character studies and the major plight involved (particularly anchored on the shoulders of star Matt Damon as the contemplative lead) as well as the trademark Scott-induced flourishes that incorporate crisp and cunning visual special effects and a sweeping musical score that invites a transfixing hold on one’s indelible spirit.

‘The Martian’ is the film adaptation of Andy Weir’s best-selling tome. Scott’s disciplined direction and screenwriter Drew Goddard’s ambitious vision of Weir’s compelling written material seemingly gels in convincing, cerebral fashion. The premise is not wildly original as it revisits the familiar foundation of a lost soul in survival mode trying to take on the treacherous surroundings with philosophical conviction. Nevertheless, this does not make ‘The Martian’ any less formidable in its soul-searching perspective. Scott’s narrative on individualism and isolation with a tremendous technological tilt truly registers with boisterous bounce. Amazingly, Scott has assembled a capable and committed cast that are dedicated to making ‘The Martian’ look resourcefully skillful in its masterful mischievousness. Sure, The Martian’s lengthy running time is staggering but it is compelling enough to invest in its meandering, adventurous narrative.

The ultimate nightmare (or perilous predicament…take your choice) has been realised for one stranded space traveler in Mark Watney (Matt Damon). You see…poor astronaut Watney had the misfortune of losing contact with his commander in Melissa Lewis (Jessica Chastain) and the rest of his crew when undergoing a scientific expedition to examine the terrain on Mars. Courtesy of an unexpected freakish storm Watney is separated from his comrades and believed to be dead as a result of the hazardous weather conditions on Mars. Lewis and her associates have no choice but to head back to Earth as searching for Watney may prove to be futile and endanger their lives as well.

Thus, Mark Watney is basically his own forced-upon version of ‘Robinson Crusoe On Mars’. There is no option for Watney but to allow his major survival instincts to kick in while striving for his jeopardised livelihood on the unpredictable and treacherous Red Planet’s jagged landscape. Despite being stuck in hostile territory, Watney must use his background skills as a trained botanist to cultivate the scarce food he must rely on for his unconventional nutrition. The only ‘companion’ that Watney has to relate to rests in the recorded device that captures his harried thoughts through video diaries (at least this is more practical than what Tom Hanks’s ‘Castaway’ character had in his possession with inanimate object best buddy, Wilson the volleyball).

In the meanwhile, the devastating news about Mark Watney’s possible death far beyond the reaches of home hits his colleagues understandably hard as tributes start to pour in remembrance of the seemingly dearly departed space pioneer. Soon, there is some measure of hope when NASA officials that include head honchos Teddy Sanders (Jeff Daniels from TV’s ‘The Newsroom’), Vincent Kapoor (the Oscar-nominated Chiwetel Ejiofor from ’12 Years A Slave’) and Mitch Henderson (Sean Bean) find evidence that Watney may be alive and ready to be rescued. Naturally, a sense of urgency is warranted to retrieve the weary astronaut without causing too many public relations waves. This puts press aide Annie Montrose (Kristen Wiig) into damage control mode in particular.

Okay...so it is not as scenic as Yellowstone National Park but the rocky region in THE MARTIAN still has some unassuming charm, right?
Okay…so it is not as scenic as Yellowstone National Park but the rocky region in THE MARTIAN still has some unassuming charm, right?
Importantly, ‘The Martian’ is clever and carefully conceived because it does not have to rely on the excess baggage to convey its entertainment value in a series of hyperactive and hedonistic happenings. Ridley Scott is soundly methodical in presenting a low-key terrifying tale of loneliness and resiliency and what it takes to handle the pressure of adversity when there is no glimmer of humanity around to reinforce or remind one of such psychological obstacles. The intriguing factor here is the science-friendly serving of intelligence and insight that builds up the audience’s appreciation for the underlying suspense. Interestingly, the conflict approached in ‘The Martian’ is not so much the back-and-forth high-scale struggles of man versus outlandish creature or an over-the-top diabolical deviant out to destroy the world in cartoonish fashion. No, the genuine combative and confrontational war of will is contained in one vulnerable man’s ability to face the unknown grounded in both doubt and determination. Hence, Scott has made a palpable thinking man’s Science Fiction exposition rooted in articulated forethought.

Damon more than holds his own as the disillusioned botanist/astronaut out on an ominous limb as his doomed odyssey of uncertainty is something that the common viewer can embrace and relate to without question. The perceived opulence in ‘The Martian’ is not contained in the film’s production values per se (Scott has made previous movies with more visual vitality and purpose) but subtly showcased in the concepts of knowledgeable tidbits concerning food rations, mathematical equations, crucial time tables, planetary probes, NASA-themed procedural techniques and aerodynamics considerations.

Hopefully, ‘The Martian’ is not dismissed as a foreign alien in the minds of ardent movie-going SF enthusiasts looking for a realistic and soulful space-age adventure with a refreshing backbone of scientific curiosity and candidness.

The Martian (2015)

20th Century Fox

2 hrs. 35 mins.

Starring: Matt Damon, Jessica Chastain, Jeff Daniels, Kristen Wiig, Michael Pena, Sean Bean, Chiwetel Ejiofor, Kate Mara, Sebastian Stan, Donald Glover and Benedict Wong

Directed by: Ridley Scott

MPAA Rating: PG-13

Genre: Science Fiction/Space Adventure/Science and Fantasy

Critic’s rating: *** 1/2 stars (out of 4 stars)
This is a movie that I have to say that I have a bit of a difficulty in rating. Quite honestly I was sorely tempted to remove a star, or even two stars. Why? Because it is full of Hollywood nonsense, scientific errors, it is rather predictable and it did feel a bit like a Apollo 13 rip-off. Why did I not remove those stars? Well, it is rather entertaining even if, at times, I squirmed in my seat.

The movie starts of with a somewhat implausible event where a unexpected storm hits the Mars camp which forces the ground crew of the Mars mission to hurry back to the launch vehicle before it tilts over. The launch vehicle gradually tilts a degree at the time. Is it just me finding this strange? Would storms on Mars defy the usual rules of weather dynamics that they would exert a constant pressure which would cause a slow but constant tilt of a construct like that. No gusts, no change in pressure? And why would it gradually tilt at all? Once the force would be enough for the landing struts on one side to leave the ground it would pretty much tilt right away. Okay, I am being picky so lets give that a benefit of a doubt for the time being.

Obviously one guy is lost during the dramatic events. This is equally obviously 100% predictable. The fact that the guy is still alive after the rest of the crew blasted off is obviously also 100% predictable but then, this you should have pretty figured out from the title of the move after all.

A lot of the rest of the movie is following this guys quest for survival on Mars using the left over equipment at his disposal and the NASA crew on Earth trying to rescue him. Yes the NASA crew on Earth does discover that he is alive which, again, is pretty much predictable. Of course this gave Hollywood the opportunity to add a utterly dislikable political bureaucrat that is pretty much in the movie for one reason and one reason alone…to be dislikable. Personally I just found him tiresome. But then, Americans seems to like these kind of people given the kind of trash that we see being pushed towards the upcoming presidential elections…from both sides!

There are a lot of good stuff in the movie. Even though it is rather predictable there are some suspense in it, there are a lot of good scenery, and even though you pretty much knows what is going to happen you do feel like cheering for the hero. Given the script I think a lot of the actors did a rather good job of their roles.

If the script writers would have brought on some decent scientific advisors I would say this would have been a great movie but it was frequently goofed up with issues that was just stupid. Like digging down a nuclear reactor a few feet in the ground. What the f… good was that supposed to do? And the constant use of simple plastic and duct tape to seal the environment. Yeah, right. Sure, Mars do have some atmosphere so it is not vacuum we are talking about but then in other scenes they seemed to assume almost zero atmosphere and made quite a bit use of explosive decompression effects.

Okay, okay I am probably nitpicking quite a bit here but, unlike many Science Fiction movies, this one tries to give an impression of being within the realms of realism and it is just too full of classical Hollywood mishaps for my taste.

As I wrote above I still think it is a movie worth watching. It has some suspense, it is well done from a photographic point of view and the actors are doing a decent job. I think 7 out of 10 stars is a fair rating but it should certainly not have more.
This is a movie following the lead started with Gravity with the human main character fighting for survival in space.

The plot has a good combination of suspense, action, humor and drama. Damon performs well and the rest of the cast does a good job and has been well chosen.

It is not a magnificent movie but it is good enough to fill a couple of hours of entertainment.
This movie is very entertaining and really imaginative. The narrative is well controlled so you don't feel bored or exhausted. The part that I like best is when the accident happened and Witney lost all his crops, the despair he had and the noisy scary sound of strong Mars winds blowing outside the base. The real loneliness.

However, this movie's plot was too straight-forward as I see. Nearly every action proposed by the sorts of parties and organization was execute, taking the story forward without stagnation. But this also made everything look too artificial. In comparison, Robinson Crusoe was much more twisted.
Liked it.

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